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Since sudden jumps in volume can cause an instrument to sound unnatural or distorted, we generally want to avoid extremely short attack and release times. When you get them right, your compressor works almost invisibly, but when those settings are too fast or too slow for the music, compression becomes obvious and intrusive. The only remaining problem is how you will be able to assign a … The attack time was always 5 ms. my subreddits. The release time was 10 ms in the fast compression condition and 500 ms in the slow condition. In a multiband compressor, it lets you assign different compressor settings (threshold, compression ratio, attack and release times) for every frequency band or range. Applying compression with extremely short release time will cause the signal to be almost instantly released to no compression when the signal falls below the threshold. Ratio: 2:1 (Low) to 10:1 (High) Threshold: Set your threshold below the level of your transient peaks. Release. Set the knee dependent on the sound you are compressing. This changes how the gain reduction behaves around the threshold level, but not all compressors have this. You want to use a slow release time to ensure the compressor remains engaged from the tail end of one transient to the beginning of the next transient. Recommended Settings for Delayed Compression. Attack: 100+ ms; Release: Variable based on song tempo. Compression speed was dictated by the time constants of a one-pole-filter power-smoothing circuit (the so-called RC time constants; Kates, 1993). Watching the swing of the gain–reduction VU meter is an invaluable aid to setting appropriate release times. edit subscriptions. jump to content. 6. Knee. Faster releases can create a pumping effect whilst slow release times are much smoother. Slow release helps keep the compression transparent, so anything that you are compressing that needs to maintain it's natural feel needs a slower release. For example if your multiband compressor has 3 bands (bass, mid and high frequency range), you can assign 3 compression settings for each of those bands. The wrong settings, such as a very slow release on an uptempo rock track, can choke your mix, while a release time that is too fast can cause uncomfortable 'pumping' effects that undermine the 'feel' of the music. If you want it to slam in and sound mechanical, then go for a hard knee – it’s good for drums, bass etc. As you can see, there are no attack and release values that are ideal for every track. Knee . The exact level is dependent … Compression on the master bus should have a slow release. popular-all-random-users | AskReddit-news-pics-funny-todayilearned-aww-worldnews-videos-Jokes-personalfinance-gaming-movies-tifu-gifs-Showerthoughts-mildlyinteresting-OldSchoolCool -explainlikeimfive-science-nottheonion-LifeProTips-television … The release refers to how long it takes for the compressor to revert to normal, or to an uncompressed state. A short release can make your compression sound unnatural and digital, whereas a slow release will make it sound smoother. This is how hard or soft the compression will be. Understand Multiband Compression Short releases are often good for drums. What are some situations that you'd set a slower release when it comes to compression ? ( the so-called RC time constants ; Kates, 1993 ) 1993 ) compression. By the time constants of a one-pole-filter power-smoothing circuit ( the so-called RC time constants ; Kates 1993... 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